Rose and tulip, Edouard Manet
Rose and tulip, Edouard Manet
(Source: youtube.com)
(274 plays)(Source: sticksandstones-bloodashandbone)
(0 plays)
Cy Twombly — Bacchanalia-Fall (5 Days in November), 1977.
(Source: ludivinesereni.net)
Catherine Opie, Catherine, Melanie & Sadie Rain, New York, New York, 1998
(Source: lesbianartandartists)
Man and Woman, Edvard Munch
Medium: oil,canvas
(Source: presquile)
Catherine Opie, Catherine, Melanie & Sadie Rain, New York, New York, 1998
(Source: lesbianartandartists)
“If identity is only a game, if it is only a procedure to have relations, social and sexual-pleasure relationships that create new friendships, it is useful. But if identity becomes the problem of sexual existence, and if people think that they have to “uncover” their “own identity,” and that their own identity has to become the law, the principle, the code of their existence; if the perennial question they ask is “Does this thing conform to my identity?“ then, I think, they will turn back to a kind of ethics very close to the old heterosexual virility. If we are asked to relate to the question of identity, it must be an identity to our unique selves. But the relationships we have to have with ourselves are not ones of identity, rather, they must be relationships of differentiation, of creation, of innovation.”—
Michel Foucault in a 1984 interview with The Advocate (via anarchacommunism)
Identity is a fantasy for organizing desire and fear. (via lastmutations)
(1,511 plays)“Wind In Lonely Fences” - Brian Eno & Harold Budd
Interesting to hear the evolution from Music for Airports to The Plateaux Of Mirror; I suppose working with Budd helped to create a very different sound but this almost fringes on classical piano. Not unlike modern ambient/neo-classical works.